Organizaciones con obra
Profesionales con obra
Descripción del Artista
English artist and sculptor. He studied at Guildford School of Art (1949–54) and the Royal College of Art in London (1956–9), as well as at the Akademie der Bildenden Künste in Munich (1959–60) and Florida State University in Tallahassee (1960–62). Influenced by Marxist counter-cultural politics in the 1960s, he adopted performance as the democratic basis for a new relationship between artist and audience. Working solely within public spaces in the 1970s, Brisley developed a series of solo and collaborative works, such as ZL 65 63 95C (1972; see Performance art, fig. 2), Ten Days (1978; London, ICA) and Between (1979; London, ICA), that pushed the body through various extended tasks or rituals. Vulnerable, exposed, Brisley's ‘body in struggle' dramatised the conflict between human autonomy and the instrumental forces of bureaucratic and state power. In the 1980s, in the face of both changing conceptions of the political in art and the increasing implausibility of performance as avant-garde interventionist activity, Brisley moved from performance to installations, tape–slide work and object-making. His critical motivations remained unchanged: the production of a political art that in its richness of metaphor and range of expressive resources is capable of capturing the ‘morbid symptoms' of capitalist culture.
Mercado, 05 oct de 2016
Adriana Varejão se estrena en la todopoderosa Gagosian
Por ARTEINFORMADO
Varejão lo hace con la exposición individual "Azulejão" en la sede de Roma de este conglomerado galerístico estadounidense.
Exposición. 31 oct de 2024 - 09 feb de 2025 / Artium - Centro Museo Vasco de Arte Contemporáneo / Vitoria-Gasteiz, Álava, España
Formación. 16 nov de 2024 - 17 nov de 2024 / Bizkaia Aretoa / Bilbao, Vizcaya, España
La mirada feminista. Perspectivas feministas en las producciones artísticas y las teorías del arte