Richard Ibghy & Marilou Lemmens

Descripción del Artista

Richard Ibghy and Marilou Lemmens create sculptures, videos, installations, public artworks, and artist books. Combining rigorous research with a material exploration that is specific to each project, their practice questions issues at the intersection of ecology, economy, epistemology, and history. For several years, they have examined the history of science and other forms of knowledge, including the language of economy, the magic of statistics, the capacity for models to impact the future, the aesthetics of data visualization, and the design of laboratory experiments. More recently, their work seeks to expand concepts of hospitality, care, and interspecies communication. Their solo exhibitions include: Land is not a mat to be rolled up and taken away, Confederation Centre Art Gallery, Charlottetown, Canada (2023), In the Milk of Facts, There Always Lands a Fly, Guido Molinari Foundation, Montreal, Canada (2022), Look, it's daybreak, dear, time to sing, Ulrich Museum of Art, Wichita, USA (2021), Two fleas quarrelling over who owns the dog they live on, Grantham Foundation for the Arts and the Environment, Saint-Edmond-de-Grantham, Canada (2020-21), Look, it's daybreak, dear, time to sing, Bemis Center for Contemporary Arts, Omaha, USA (2019), An Alert Rabbit Breathing Purified Air, VOLT, Visningsrommet USF Gallery, Bergen, Norway (2019), When the Guest Are Not Looking, Audain Gallery, Vancouver (2018), The Golden USB, Agnes Etherington Art Centre, Kingston, Canada (2017); VOX, Montreal (2014), Each Number Equals One Inhalation and One Exhalation, Jane Lombard Gallery, New York (2017), Putting Life to Work - La vie mise au travail, Owens Art Gallery, Sackville, Canada (2017); Leonard & Bina Ellen Art Gallery, Montreal (2016), Measures of Inequity, International Studio & Curatorial Program, New York (2016), Real failure needs no excuse, Esker Foundation, Calgary (2016) and Monte Vista Projects, Los Angeles (2012).

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