Organizaciones con obra
Descripción del Artista
Paulo Arraiano’s work relates to an idea of visual seismography, assessing surges concerning new natural, social and cultural paradigms. This artistic production interweaves with his research which, involving matter and anti-matter, engages the body, the landscape and technology, addressing questions concerning climate changes, biosphere, extinction, transhumanism and the anthropocene.
The artist has a degree in Communication by ISCEM (Lisbon), and Visual Arts at Ar.Co - Centro de Arte e Comunicação Visual (Lisbon).
He is also co-founder of Re_actcontemporary, (https://www.reactcontemporary.com)art laboratory and residence program based in the Azores Islands work with the aspects of climate change, biosphere, anthropocene, extinction and transumanism. and no.stereo, an independent artist-run platform.
Arraino presented the solo shows: “Sensorial Divinities”, Dimora Artica, Milan - Italy (2019); “Art Rotterdam”, solo booth with Hawaii-Lisbon, Rotterdam - Netherlands (2018); “As always, A Matter Of Perspective”, Hawaii-Lisbon, Lisbon - Portugal (2017); “While Satellites Dance”, TAL Gallery, Rio de Janeiro - Brazil (2016); “Fold/Fault”, Forty/Forty, Warsaw – Poland (2015); “Magma”, (Sandro Resende P/28), Cidadela Art District, Cascais – Portugal (2014) and “Emotional Landscapes”, Arte Institute (2013).
Among his group shows, we highlight: “The sea, between metaphor and matter”, Curated by Camila Maissune, Hangar, Lisbon - Portugal (2020); “SD” (online), MentalSpace, Curated By Roman Zheleznyak, Boshum - Netherlands (2020); “StrangeTime” (online) ArtLaboratoty, Curated By Stepan Ryabchenko (2020); “Space” (online), Harddiskmuseum (2020); “The Bee Who Forgot The Honey”, Museu d'Història de Catalunya, Curated By Aurélien Le Genissel, Barcelona - Spain (2019); “Towards The Last Unicorn”, 55SP, S.Paulo - Brazil (2019); “Secret Cabinet”, Dimora Artica, Milan - Italy (2018); “The Wrong New Digital Art Biennale”, Cidade das Artes Museum, Rio de Janeiro - Brazil (2018); “Matter / Non_Matter”, MAH Museum, Terceira Island – Azores (2017); “At Home”, Quartier General - Centre d'art Contemporain, La Chaux-de-Fonds – Switzerland (2017); “AbstractXed#1”, Aeroplastics Contemporary, Brussels – Belgium (2017); “Periplos”, Curated By Fernando Frances, CAC Málaga Museum, Málaga – Spain; “Down To Earth”, Curated By Kwaku Boateng, The Dot Project Gallery, London – UK (2016); “1/81”, Coa Museum, Vila Nova de Foz Côa – Portugal (2015); “Cherry Blast”, National Building Museum, Washington DC – USA (2014); “Re:Function”, Angra do Heroísmo Museum, Terceira Island – Azores (2014); “LaGa”, Museé d’Art Moderne, Luxembourg (2008).
Paulo Arraiano has also participated in several artist residency programmes, such as Hangar (Lisbon); Walk&Talk (Azores); Transforma (Torres Vedras); LAC (Lagos), among others.
He is represented in both public and private collections such as CAC Málaga Museum, (Spain); Luciano Benetton Collection (Italy); Quartier-General Arts Center (Switzerland); Museu de Angra do HeroÍsmo (Azores); Sztuki Zewnetrznej Foundation (Poland); Pestana Group (Portugal); Fundação D. Luís / Museum Quarter (Portugal) and MARCC Museum (Portugal).
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