Olga Balema

Descripción del Artista

Olga Balema *1984, Lviv, Ukraine — Lives and works in Berlin and New York Education 2007 – 2009 MFA in New Genres, University of California Los Angeles 2002 – 2006 BFA in Sculpture, University of Iowa Residencies 2011/2012 Rijksakademie van beeldende kunsten/​Dutch Ministry of Education, Culture and Science 2010 Skowhegan School of Painting and Sculpture Selected Solo Exhibitions 2017 None of the beauty of the landscape can reach her pupils anymore, High Art, Paris On The Brink Of My Sexy Apocalypse, Hannah Hoffman, Los Angeles 2016 Early Man, Swiss Institute, New York Motherland, Fons Welters, Amsterdam Blasted Heath, Capri, Düsseldorf 2015 One reenters the garden by becoming a vegetable, Kunstverein Nürnberg, Albrecht Dürer Gesellschaft, Nürnberg Cannibals, Croy Nielsen, Berlin Olga Balema & Anne De Vries: Listening, Michael Thibault, Los Angeles 2014 Her Curves, High Art, Paris Warm Bodies (with Jonathan Baldock), Kunstvereiniging Diepenheim, Diepenheim 2013 Body of Work, Galerie Fons Welters, Amsterdam What Enters, 1646, Den Haag 2011 Positive thinking: Actions speak louder then words, The Vanity, Los Angeles Selected Group Exhibitions 2018 Oh that I had a thousand tongues, Tinos Quarry Platform, Tinos (upcoming) Paulo Cunha E Silva Art Prize, Galeria Municipal Do Porto (upcoming) Give up the Ghost, Baltic Triennale, BTXIII CAC, Vilnius, Tallinn Art Hall, Kim?, Riga Blind Faith: Between the Visceral and the Cognitive in Contemporary Art, Haus der Kunst, Munich Converter, Kunstmuseum St. Gallen, St. Gallen 2017 Ungestalt, Kunsthalle Basel PRODUKTION. made in germany drei, Kunstverein Hannover, Sprengelmuseum, Kestnergesellschaft, Hannover Ewig Weibliche, Koppe Astner, Glasgow Olga Balema, Marlie Mul, Iza Tarasewicz, Croy Nielsen, Vienna Hours and Hours of Inactivity, n.b.k, Berlin 2016 Object(ed): Shaping Sculpture in Contemporary Art, Utah Museum of Contemporary Art, Utah 30: Untitled 1989, Galerie Fons Welters, Amsterdam Brachland, PEACH at W139, Amsterdam I Want To Live in the Country (and Other Romances), Kunsthalle Bern, Bern Adhesive Products, Bergen Kunsthall, Bergen Wer Nicht Denken Will, Fliegt Raus: Handlungsanweisungen nach Beuys, Museum Kurhaus Kleve, Kleve I Am Still Alive – On the Materialities of Life, Moderna Museet, Stockholm Pastoral Myths, La Loge, Brussels 2015 By the Bearer in whose Name it it Issued, Center for Style, Melbourne Stranger than paradise, Sies + Höke, Düsseldorf Where The Awing Flaps, Éric Hussenot, Paris Campana I, Luis Campana, Berlin Function Follows Vision, Vision Follows Reality, Kunsthalle Wien, Vienna Surround Audience, Triennial, New Museum, New York City, William Arnold, Brooklyn Towers of Dub (Live Orbient 3.9.93), Thomas Duncan Gallery, Los Angeles 2014 Musique Concrète, Michael Thibault, Los Angeles Doom: Surface Control, Le Magasin Grenoble – CNAC, Grenoble Puddle, pothole, portal, Sculpture Center, New York Dylan’s lost it – maybe, Croy Nielsen, Berlin New Dawn, Silberkuppe, Berlin From whose ground heaven and hell compare, Croy Nielsen, Berlin Nature after Nature, Fridericianum, Kassel Geographies of Contamination, David Roberts Art Foundation, London Material Memory, Fluxia, Milan Apples and Pears, DREI, Cologne 2013 Urschleim, Fauna, Copenhagen ♥, High Art, Paris The Unpainted Landscape, Nicodim Gallery, Los Angeles Slip, The Approach, London Unstable Media, Gallery Martin van Zomeren, Amsterdam Cast Recording, Prism, Los Angeles 2012 RijksakademieOPEN, Rijksakademie van beeldende kunsten, Amsterdam Latent Stare, Casco, Utrecht Closed because of the goings-on, Duquon Hourdequin, Paris 2011 RijksakademieOPEN, Rijksakademie van beeldende kunsten, Amsterdam 2010 Support Group, Thomas Solomon Gallery, Los Angeles Dr. Zomb, Glendale College, Los Angeles 2009 MFA Thesis Show, UCLA, Los Angeles May Show, Los Angeles 2008 GLAMFA, CSULB, Long Beach Kleveland, Bonelli Contemporary, Los Angeles Delusionarium, Bonelli Contemporary, Los Angeles Publications 2017 Hours and Hours of Inactivity, edited by Marius Babias, Text by Ann Cotten, Rhea Dall und Michaela Richter, Catalogue, Neuer Berliner Kunstverein, published by Verlag Walther König, Berlin Produktion. Made in Germany Drei, Text by Tenzing Barshee, Nikola Dietrich, Timo Feldhaus, Jana Franze, Stefan Gronert, Hans-Jürgen Hafner, Lisa Mattheis, Dominikus Müller, Carina Plath, Kathleen Rahn, Gabriele Sand, Elmas Senol, Noemi Smolik, Maik Schlüter, Ute Stuffer, Milan Ther, Kristina Thieke, Christina Végh, Catalogue, Kestner Gesellschaft, Kunstverein hannover, Sprengel Museum, Snoeck 2015 New Museum 2015 Triennial: Surround Audience, Text by Lauren Cornell and Ryan Trecartin a.o., Catalogue, New Museum and Rizzoli, New York 2014 Puddle, Pothole, Portal, Text by Katrib, R, Papapetros, S, Daney, S, Henrot, C, Sculpture Center, New York Selected Press 2017 Rosemeyer, Aoife, ​“Ungestalt”, ArtReview, October Griffin, Jonathan, ​“Olga Balema”, Frieze, February, issue 186 Sutton, Kate, ​“Olga Balema, Marlie Mul, Iza Tarasewicz”, Frieze, February 2016 van den Boogerd, Dominic, ​“Olga Balema”, ArtReview, September de Coninck, Frits, ​“Onappetijtelijk en raadselachtig”, Museumtijdschrift 2015 Sharp, Chris, ​“Hot!”, Cura., Autumn, No. 20 Edmonson, Tess. ​“Olga Balema”, Frieze, February,issue 176 Wilk, Elvia, ​“Olga Balema. Zwischen den Körpern”, Friezed/​e, May, no. 19 Latimer, Quinn, ​“Olga Balema”, Artforum, April Diehl, Travis, ​“Olga Balema & Anne de Vries”, Artforum critic picks, April Cotter, Holland, ​“New Museum Triennial Casts a Wary Eye on the Future”, New York Times, February 2014 Schwarze, Dirk, ​“Nature after Nature”, Kunstforum # 228, August/​September ​“Meet artist Olga Balema”, Kaleidoscope # 20, Winter Johnson, Ken, ​“Puddle, Pothole or Portal” at Sculpture Center in Queens, New York Times, October Frank, Priscilla, ​“Puddle, Pothole or Portal’ brings Animation’s Absurdity to the Art World”, Huffington Post, October

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