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Descripción del Artista
Marco Montiel-Soto, as traveller and immigrant, constantly finds himself returning forward. During these expeditions, the route becomes imaginary and travel time elastic. His work and installations are a creolization of architectural structures, collected found objects, sounds compositions, videos, photographs, drawings, collages, texts and maps. His work explores the intersections between political and poetic territories, homeland, traditions, economy, archaeology, religion, myths, death, cosmos and chaos.
In 2013 Montiel-Soto participated in Taller Bloc-D21 art residence program in Santiago de Chile and in 2015 participated in Permanencias art residence program in Lamosa Lab in Cuenca, Spain. His work is part of public and private collections, such as MOLAA – Museum of Latin American Art in Long Beach, California; MACZUL – Museo de Arte Contemporáneo del Zulia in Maracaibo; Museo de Arte Contemporáneo de Caracas and Instituto Italo Latino Americano in Rome and has been invited to global sound conferences for the Berliner Künstler-DAAD program.
Recent solo exhibitions include Arrivederci Maracaibo, Davide Gallo, Milano (2016); TOD IN DIE TROPISCHE ERDE: “Por favor no me dejen morir”. Noticias desde un limbo tropical, MACZUL – Museo de Arte Contemporáneo del Zulia, Maracaibo (2015); Point of No Return, Vesselroom Project, Berlin (2015); Arqueología en la memoria de las familias de San Antón, Lamosa, Cuenca (2015). Recent and current exhibitions include DOCUMENTA 14, Every time a Ear Di Soun, Athens and Kassel (2017); JeJu Biennale 2017, Tourism. Jeju Museum of Contemporary Art, Jeju (2017); The Conundrum of Imagination on the paradigm of exploration and discovery, Wiener Festwochen, Vienna (2017); Onomatopeyas visuales de tiempos difíciles, Carmen Araujo arte, Caracas (2017); Besides Colonisation, Galeria José de la Fuente, Santander (2017); Correspondencias de Ultramar, Sala Mendoza, Caracas (2017); The Incantation of the Disquieting Muse, SAVVY Contemporary, Berlin (2016); Viaja y no lo escribas, La Casa Encendida, Madrid (2016); Feelings of my thatched hut, Grimmuseum, Berlin (2016); We do the Voodoo, EYE Film Institute, Amsterdam (2016); Something Else – Off Biennale, Cairo (2015); Now & After, Shchusev State Museum of Architecture, Moskow (2015); The inclination of the Angle, Junefirst Gallery, Berlin (2015); Appropriating language #6, Maniere Noire, Berlin (2015) and Alusiones, Carmen Araujo arte, Caracas (2015).
Publications
Sound Art in Venezuela. Oficina cultural de la Embajada de España, 2010. Caracas, Venezuela
Arqueología en la memoria de las familias de San Antón – in collaboration with Cristina Moreno García, Lamosa Lab, 2016, 100 pages, edition of 250. Cuenca, Spain
Arqueología en la memoria de las familias de San Antón (Album edition)- in collaboration with Cristina Moreno García, Lamosa Lab, 2015, 40 pages, edition of 75. Cuenca, Spain
Panomárica Arte emergente en Venezuela 2000-‐2012, Felix Suazo, Fundación Telefonica, 2014, 358 pages. Caracas,Venezuela
Looks Familiar. Bonaventure Soh Bejeng Ndikung / Edition Taube, Savvy Contemporary, 2010, 58 pages. Berlin, Germany
Collections
MOLAA. Museum of Latin American Art, Long Beach. California. USA
Instituto Italo – Latino Americano, Roma. Italy
MACZUL. Museo de Arte Contemporáneo del Zulia, Maracaibo. Venezuela
MAC. Museo de Arte Contemporáneo de Caracas. Venezuela
Fundación en la Misma Página, Maracaibo. Venezuela
Fundación Belloso, Maracaibo. Venezuela
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