Ken Gonzales-Day

Galerías y otras organizaciones que le representan

Luis De Jesus Los Angeles

Ver toda la actividad (1)

Descripción del Artista

La práctica interdisciplinaria de Gonzales-Day considera la construcción histórica de la raza y los límites de los sistemas de representación, que van desde fotografías de linchamientos hasta exhibiciones de museos. Su investigación ha atraído una atención vital a los legados materiales de la esclavitud, el colonialismo, el imperialismo, la normatividad de género y la blancura. Ken Gonzales-Day is an artist and writer living in Los Angeles. He received his MFA from UC Irvine, CA, and his MA in Art History from Hunter College, New York, NY. He was a fellow in the Whitney Museum of American Art's Independent Study Program. Other fellowships include the Rockefeller Foundation Study and Conference Center in Bellagio, Italy and the Smithsonian Institution's American Art Museum and National Portrait Gallery where Gonzales-Day was a Senior Fellow in Latino Studies. His writing has appeared in various arts publications and journals including: Art & Text, Artissues, Art Journal, Art Papers, Aztlán, Exposure, Poliester, ArtPress and NYQ. His manuscript Lynching in the West: 1850-1935 will be published by Duke University Press in 2006. His work has been included in: An Image Bank for Everyday Revolutionary Life, REDCAT at the Walt Disney Concert Hall, Los Angeles; Log Cabin, Artists Space, New York, NY; Picarte, Heard Museum, Phoenix, AZ; Made in California, Los Angeles County Museum of Art, CA; Cyborg Manifesto, Laguna Art Museum, CA; Beyond Boundaries: Contemporary Photography in California, Ansel Adams Center for Photography, San Francisco, CA; and Reimaging the West: A New History, SF Camerawork, San Francisco, CA. Gonzales-Day is an Associate Professor of Art and Chair of the Department of Art at Scripps College.

Exposiciones en las que ha participado como artista

Absence/Presence: Latinx and Latin American Artists in Dialogue

Colectiva

Surface Tension by Ken Gonzales-Day: Murals, Signs, and Mark-Making in L.A.

Individual

2 exposiciones