Descripción del Artista
John Barker was born in London in 1948. In 1969, along with six others, he ripped up his Cambridge University Finals papers as part of a campaign against education as a system of exclusion. In 1972, in what was called the Angry Brigade trial, he was convicted with three others of conspiring to cause explosions. He served a ten-year prison sentence. A crafted memoir of this time, Bending the Bars was published many years later. He worked as a dustman and welder before being implicated in a conspiracy to import cannabis in 1986. In 1990 he was finally arrested and served a five-year sentence. Since then he has worked constantly as writer and book indexer.
From the 1970s onwards he has published a number of texts of political economy, writers and writing, and on the capitalist psyche and ideological opportunism. These have appeared in Red Notes; Mute; Adbusters; Capital and Class; Telepolis; MELA; Science as Culture; Variant; and Scottish Left Review. He has written an essay dealing with the colonial political economy of cocaine, From Coca to Capital, for the Potosi Principle exhibition in Madrid, Berlin, and La Paz. His short stories have appeared in The Edinburgh Review, 3ammagazine; Passport; Brand; and in the anthology Incendiary Device edited by Stewart Home.
More recently he has been collaborating with the austrian artist Ines Doujak as writer and performer in the ongoing work on cloth and colonialism Loomshuttles Warpaths, parts of which have been shown in Vienna, Malmo, Stuttgart, and London.
Actualidad, 12 abr de 2016
San Sebastián Capital Europea de la Cultura 2016 presenta "Tratado de Paz"
Por ARTEINFORMADO
La concepción de la idea corresponde al gestor cultural vasco Santiago Eraso y el comisariado al artista andaluz Pedro G. Romero.
Exposición. 13 dic de 2024 - 04 may de 2025 / CAAC - Centro Andaluz de Arte Contemporáneo / Sevilla, España
Formación. 01 oct de 2024 - 04 abr de 2025 / PHotoEspaña / Madrid, España