Descripción del Profesional del arte
Curadora adjunta de la 12ª Bienal del Mercosul.
Born and raised in Warsaw, Poland, Dorota Biczel is currently a doctoral candidate at the Center for Latin American Visual Studies (CLAVIS) at the Department of Art and Art History at The University of Texas at Austin. She holds a dual MA in art history, theory, and criticism, and arts administration and policy from the School of the Art Institute of Chicago, which she earned in 2010.
Dorota’s research revolves around the issues of the intersections of avant-garde artistic traditions and visual culture, and production of political subjectivities. In this context, she investigates community building, “public sphere” and public space, and art historiographies in the context of so-called “democratic transitions,” with the special focus on Latin America and Eastern Europe. Her dissertation focuses on artistic and architectural experimental practice and the notions of the public in Lima, Peru, between 1978 and 1989.
She has published numerous articles and essays, most recently, in the journals Buildings & Landscapes and ARARA, and in the exhibition catalogues Líneas, palabras, cosas: Luz María Bedoya (Lima: Instituto Cultural Peruano Norteamericano, 2014) and Perder la forma humana (Madrid: Museo Nacional Centro de Arte Reina Sofía, 2013). In 2011, together with Miguel López and Emilio Tarazona, she curated the retrospective exhibition Teresa Burga’s Chronology: Reports, Diagrams, Intervals at Württembergisher Kunstverein Stuttgart. She also regularly writes art criticism for the Houston-based magazine Glasstire.
Grandes Eventos, 23 jun de 2020
¿Qué ganamos? ¿Qué perdimos?: desafíos de pensar una 12ª Bienal de Mercosur en digital
Por Gustavo Pérez Diez
Con el tema "Femenino (S): Visualidades, acciones y afectos", la Bienal del Mercosur, que tiene lugar en Porto Alegre hace más de 20 años, con un enfoque en la producción ...
Actualidad, 18 nov de 2019
Elvira Dyangani y otros nombramientos que enlazan África e Iberoamérica
Por Paula Alonso Poza
Dyangani es la comisaria invitada de la próxima edición de PHotoEspaña, donde desarrollará un programa de exposiciones y simposios basado en el panafricanismo global y el arte negro.
Exposición. 31 oct de 2024 - 09 feb de 2025 / Artium - Centro Museo Vasco de Arte Contemporáneo / Vitoria-Gasteiz, Álava, España
Formación. 16 nov de 2024 - 17 nov de 2024 / Bizkaia Aretoa / Bilbao, Vizcaya, España
La mirada feminista. Perspectivas feministas en las producciones artísticas y las teorías del arte