Artista

Anna María Maiolino

1942 en Scalea, Calabria, Italia

Datos generales
Algoritmo AI

Residencia:

Reside en São Paulo, Sao Paulo, Brasil

Exposiciones colectivas vigentes:

60ª Bienal de Venecia

Próximas exposiciones colectivas:

BF24 - Bienal de Fotografia de Vila Franca de Xira

Profesionales que le han comisariado:

Bryan Barcena en:

Anna Maria Maiolino, 2017

Diego Sileo en:

Making Love Revolutionary, 2019
O amor se faz revolucionário, 2019

Helen Molesworth en:

Anna Maria Maiolino, 2017

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Premios ganados:

Prêmios ABCA - Edição de 2018

Ferias en las que participa con OBRA :

Art Basel 2024
SP-Arte 2024
Art Basel Miami Beach 2023

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Galerías y otras organizaciones que le representan:

Alfredo Ginocchio Galería

Galería Berenice Arvani

Galería Luisa Strina

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Organizaciones con obra:

Centre Pompidou

Centro Galego de Arte Contemporánea (CGAC)

Cisneros Fontanals Art Foundation (CIFO)

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Profesionales con obra:

Cleusa Garfinkel

Estrellita B. Brodsky

Heloisa Becker Genish

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Etiquetas:

Arte contemporáneo Arte feminista Arte latinoamericano Arte Político Barro Escultura Fotografía Instalación Performance

Descripción del Artista

In 2017, a major retrospective on Maiolino’s work was presented at the MoCA Los Angeles, as part of the Pacific Standard Time: LA/LA project, sponsored by the Getty Foundation. In 2010, an important itinerant show was presented at the Antoni Tàpies Foundation, in Barcelona, travelling then to Centro Galego de Arte Contemporânea (Galician Contemporary Art Center), in Santiago de Compostela, Spain, and to Malmö Kunsthalle, in Sweden (2011). Maiolino’s work is present in over 30 museum and cultural institutions collections in Brazil and abroad, among them, notably: MoMA, MoCA Los Angeles, MASP, Malba, Reina Sofia, Centre Pompidou, Tate Modern and Galleria Nazionale di Roma. Among her major solo exhibitions from the decade of 2000 there are: Errância Poética [Poetic Wanderings], Hauser & Wirth, New York (2018); TUDO ISSO [ALL OF IT], Hauser & Wirth, Zurich (2016); CIOÈ and performance in ATTO, Galleria Raffaella Cortese, Milan (2015); Ponto a Ponto [Point ... to Point], Galeria Luisa Strina, São Paulo (2014); Afecções [Affections], Visual Art Prize MASP Mercedes–Benz, MASP, São Paulo (2012); Continuum, Camden Arts Centre, London (2010); Territories of Immanence, Miami Art Center, Miami (2006); Muitos [Many], Pinacoteca do Estado de São Paulo (São Paulo State Public collection, 2005); Vida Afora/A Life Line, The Drawing Center, New York (2002); and N Times One (from the series Terra Modelada [Modelled Earth]), Art in General, New York (2002). Among the group shows she has participated in recent years, remarkably: Mulheres Radicais [Radical Women], Pinacoteca do Estado de São Paulo (São Paulo State Public collection, 2018); Radical Women: Latin American Art, 1960–1985, Hammer Museum, Los Angeles (2017); Delirious: Art at the Limits of Reason, 1950-1980, MET Breuer, Nova York (2017); Lugares do Delírio [Places of delirium], MAR – Museu de Arte do Rio (Rio Art Museum, 2017); Resistence Performed – Aesthetic Strategies under Repressive Regimes in Latin America, Migros Museum, Zurich (2015); The EY Exhibition: The World Goes Pop, Tate Modern, London (2015); International Pop, Walker Art Center, Minneapolis (2015); The Great Mother, Palazzo Reale, Milan (2015); Impulse, Reason, Sense, Conflict, CIFO Art Space, Miami (2015); Artevida, MAM Rio de Janeiro (Rio de Janeiro Modern Art Museum) and Casa França-Brasil (France-Brazil House), Rio de Janeiro (2014); dOCUMENTA 13, Kassel (2012); On Line: Drawing Through the 20th Century, MoMA, New York (2010); 29ª Bienal de São Paulo (2010).