Adel Abdessemed

Organizaciones con obra

Colección H+F - Fundación Han Nefkens

Fundación Montenmedio Arte Contemporáneo NMAC

Maison des arts Georges Pompidou (MAGP)

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Profesionales con obra

Budi Tek

Colección Luiz Augusto Teixeira de Freitas y Beatriz Quintella

Giorgio Fasol - AGI Verona

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Descripción del Artista

In opposition to the idea of a formatted, homogenous and structured world, the work of Algerian artist Adel Abdessemed daringly denounces and dismantles alienation and different forms of oppression inherent to contemporary society’s cultural, economic and political systems. In the video Foot on, the raw and unaffected gesture of a bare foot crushing a Coca-Cola can becomes an act of destruction in its most basic form –a symbol of capitalist power. Direct and immediate, the image avoids all militancy, becoming more of a “performative declaration” in which the force of the gesture gives way to an opening up of meaning. ----------------------------------------------- Solo shows 2018: Otchi Tchiornie, Mac's Grand-Hornu, Belgium L'antidote, MAC Lyon, Lyon, France Le chagrin des Belges, Dvir Gallery, Brussels, Belgium 2017: Conflit, Musée des Beaux-Arts, Montréal, Canada 2016 Politics of Drawing, Cahiers d’Art, Paris, France Surfaces, église des Célestins, Festival d'Avignon, France Bristow, commissioned by Bold Tendencies CIC, London, United Kingdom 2015 : From Here to Eternity, Venus Over Los Angeles, Los Angeles, USA Jalousies: Complicités avec Jean Nouvel, Musée de Vence, Vence, France Palace, CAC, Malaga, Spain Soldaten, Christine König Galleria, Viena, Austria Opening of Archives, Video Bureau, Beijing, China 2014: Merci, Blondeau & Cie, Geneva, Switzerland Oiseau, Spatiu Intact, Cluj-Napoca, Romania Mon Enfant, Dvir Gallery, Tel Aviv, Israel Solo, Galerie Yvon Lambert, Paris, France 2013: Le Vase abominable, David Zwirner, London, United Kingdom L’âge d’or, Mathaf, Arab Museum of Modern Art, Doha, Qatar. 2012: Je suis innocent, Centre Georges-Pompidou, Paris, France Who’s Afraid of the Big Bad Wolf?, David Zwirner, New York, USA Décor: Adel Abdessemed, Musée Unterlinden, Colmar, France. 2011: NU, Dvir Gallery, Tel-Aviv, Israel 2010: Silent Warriors, Parasol Unit foundation for contemporary art, London, United Kingdom. 2009: Le ali di dio, Fondazione Sandretto Re Rebaudengo, Turin, Italy. RIO, David Zwirner, New York, USA 2008: Situation and Practice, MIT List Visual Arts Center, Cambridge, USA. Trust Me, The Common Guild, Glasgow, Scotland. Don't Trust Me, Walter and McBean Galleries, San Francisco Art Institute, San Francisco, USA. Drawing for Human Park, Le Magasin - Centre national d'art contemporain de Grenoble, France. 2007: Dead or Alive, PS 1 Contemporary Art Center, Long Island City, New York, USA. 2006 : Practice Zero Tolerance, La Criée, centre d'art contemporain, Rennes et Fonds régional d'art contemporain d'Île-de-France-Le Plateau, Paris, France. 2004: Le Citron et le lait, Musée d'art moderne et contemporain de Genève, Geneva, Switzerland. Habibi, Fonds régional d'art contemporain Champagne-Ardenne, Reims, France. 2003: Nuit, Galleria Laura Pecci, Milan, Italy Quarta Estacio Benifallet-Vassivière, Centre international d'art et du paysage de l'île de Vassivière, France 2002: Adel Abdessemed, Institute of Visual Arts, University of Wisconsin-Milwaukee, Milwaukee, WI, USA 2001: Adel Abdessemed, Galleria Laura Pecci, Milan, Italy Adel Abdessemed, Project Room, Kunsthalle Bern, Bern, Switzerland Special collaboration 2015 : Retour à Berratham, Ballet Preljocaj, choreography and staging: Angelin Preljocaj, text: Laurent Mauvignier, scenography: Adel Abdessemed, Cour d'honneur du Palais des papes, Festival d'Avignon, France. Group shows 2018: Echigo Tsumari Triennale, Japan. 2017: Urban Glass Brooklyn, New York, USA. 15th Istanbul Biennial, Turkey. Oku-Noto Triennale, Suzu, Japan. Le Mois de la Photo, Montréal, Canada. Pallaksh Pallaksh (I don’t know just where I’m going), Dvir Gallery, Tel Aviv, Israel. The Restless Earth: Triennale de Milan, Nicola Trussardi Foundation, Milan, Italy. 2016: 30th Anniversary, Alfonso Artiaco Gallery, Naples, Italy. The End of the World, Centro Pecci, Prato, Italy. Miracle Marathon, Serpentine Galleries, Second Home, London, United Kingdom. : Dancing with Myself. Selbstporträt und Selbsterfindung. Werke aus der Sammlung Pinault. Museum Folkwang, Essen, Germany. The New Human, Moderna Museet, Stockholm, Sweden. Cher(e)s ami(e)s. Nouvelle présentation des collections contemporaines. Hommage aux donateurs, Musée national d’art moderne – Centre Pompidou, Paris, France. Souviens-toi du temps présent, Centre d’art Le Lait, Albi, France. Money, Good and Evil: A Visual History of the Economy, Staatliche Kunsthalle Baden-Baden in collaboration with the Casino, Baden-Baden, Germany. Magie und Macht. Von fliegenden Teppichen und Drohnen, MARTa Herford, Germany. De Warhol à Basquiat. Les chefs d’oeuvre de la collection Lambert, Musée de Vence –Fondation Émile Hugues, Vence, France. Je Tu Il Elle, Dvir Gallery, Brussels, Belgium. Do It in Arabic, Sharjah Art Foundation's Bait Al Shamsi, United Arab Emirates. 2015: Retour sur l’abîme – L’art à l’épreuve du génocide, Musées de Belfort, France. Drawing: The Bottom Line, S.M.A.K. Museum of Contemporary Art, Gent, Belgium. PICASSO.MANIA, Grand Palais, Paris, France. Le Cambrioleur, Riga Art Space, Riga, Latvia. Patrice Chéreau / Un musée imaginaire, Collection Lambert, Avignon, France. 56th Venice Biennial. 2014: About Town, Ikon in partnership with Hippodrome Plus, Birmingham Hippodrome, Birmingham, United Kingdom. The Desire for Freedom, Art in Europe since 1945, MOCAK Museum of Contemporary Art in Kraków, Kraków, Poland. Narcisse, l'image dans l'onde, Fondation François Schneider, Wattwiller, France. Milch / Lait / Latte, Musée d'art du Valais, Sion, Switzerland. Made by... Feito por Brasileiros, Cidade Matarazzo, São Paulo, Brazil. Grandeur, Museum Beelden Aan Zee, The Hague, Holland. Utopian Days-Freedom, Total Museum of Contemporary Art, Seoul, South Korea La disparition des lucioles, Collection Lambert, Prison Sainte-Anne, Avignon, France. Entre-Temps, l’artiste narrateur, Chengdu MOCA Museum of Contemporary Art, Chengdu, China. Myth / History: Yuz Collection of Contemporary Art, Yuz Museum, Shanghai, China. Ravaged, Art and Culture in Times of Con ict, Museum Leuven, Leuven, Belgium. Lampedusa : Dessins d’Adel Abdessemed & Dessins anciens, Saint Honoré Art Consulting, Paris, France. Futbol: The Beautiful Game, Los Angeles County Museum of Art, Los Angeles, USA. 2013: Prima Materia, François Pinault Foundation, Venice, Italy. 2012: La Triennale, Intense Proximité, Paris, France. Explosion! Painting as Action, Moderna Museet, Stockholm, Sweden. 2011: Seeing is Believing, KW Institute for Contemporary Art, Berlin, Germany. 2010: Triennale Aichi, Nagoya, Japan. 2009: 10th Havana Biennial, Cuba. Mapping the Studio; Artists from the François Pinault Foundation, Palazzo Grassi and Punta della Dogana, Venice, Italy. Transmission Interrupted, Modern Art Oxford, United Kingdom. 2008: Traces du sacré, Centre Pompidou, Paris, France. 7th Gwangju Biennale. Airs de Paris, Centre Pompidou, Paris, France. 52nd Venice Biennale, Italy. 2006: 27th São Paulo Biennial, Brazil. 2003: 49th Venice Biennale, Italy. 2001: Yokohama Triennale, Japan. 2000: Manifesta 3, Ljubljana, Slovienia. Collections Musée d'art moderne de la Ville de Paris, France Musée national d'art moderne Georges-Pompidou, Paris, France Fonds régional d'art contemporain, Champagne-Ardennes, Reims, France Collection Budi Tek, Shanghai, China Fondation François Pinault, Venice, Italy Musée d'art moderne et contemporain, Geneva, Switzerland Catalogues Adel Abdessemed: Otchi Tchiornie / L’Antidote. Cat. Exp. Lyon, Musée d'Art Contemporain, 2018. Texts by Eric de Chassey, Denis Gielen, Donatien Grau, Mark Nash, Paul Ardenne, Kamel Daoud, Thierry Raspail, Michele Robecchi and Octavio Zaya. Adel Abdessemed: Conflit. Cat. Exp., Montréal, Musée des Beaux-Arts, 2017. Texts by Nathalie Bondil, Vincent Lavoie. Adel Abdessemed: Bristow, published by Hannah Barry, Donatien grau, Hans Ulrich Obrist, London, 2016 Adel Abdessemed : Works 1988-2015, Foreword by Pier Luigi Tazzi. Introduction by Schwed. Texts by Hans Belting, Giovanni Careri, Julia Kristeva, Tom McDonough, Hans Ulrich Obrist, Jacques Rancière, et al. Koenig Books, 2016 Adel Abdessemed Par, Paris, Manuella éditions, 2015. Texts by Hans Belting, Emanuele Coccia, Elisabeth de Fontenay, Julia Kristeva, Tom McDonough, Philippe-Alain Michaud, Hans Ulrich Obrist, Jacques Rancière, Shva Salhoov Adel Abdessemed. Jalousies – complicités avec Jean Nouvel, Paris, Éditions de l’Amateur / Collection Lambert, 2015. Correspondence between Jean Nouvel and Adel Abdessemed. Adel Abdessemed. From Here to Eternity, Venus Over Los Angeles, New York, 2015. Contributions by Francesco Bonami. Adel Abdessemed. Dessins, Paris, Éditions Dilecta, 2015. Précédé d’une correspondence avec Jean-Jacques Aillagon. Adel Abdessemed. Palace,, cat. exp., Malaga, CAC, 2015. Texts by Fernando Francés et Alberto Ruiz Samaniego. Adel Abdessemed. Solo,, cat. exp., Paris, Yvon Lambert, 2014. Letters from Hélène Cixous to Adel Abdessemed. Adel Abdessemed. Mon Enfant, cat. exp., Tel-Aviv, Dvir Gallery, 2014. Text by Shva Saloon. Adel Abdessemed. L’âge d’or, cat. exp., Doha, Mathaf: Arab Museum of Modern Art / Silvana Editoriale, 2013. Texts by Abdellah Taïa, Pier Luigi Tazzi, Angela Mengoni, interview with Hans Ulrich Obrist. Adel Abdessemed Je suis innocent,, cat. exp., Paris, Centre Pompidou / Steidl, 2012. Foreword by Alfred Pacquement. Texts by Emmanuel Alloa, Patricia Falguières, Pamela M. Lee, Tom McDonough et Philippe-Alain Michaud. Alanna Heiss (dir.), Adel Abdessemed, Dead or Alive, PS1 MoMA, New York, 2008. Contributions by Alanna Heiss and Neville Wakefield. Francesco Bonami (dir.), Adel Abdessemed, Les ailes de dieu / Le ali di dio, Fondazione Sandretto Re Rebaudengo, Turin, 2009. Contributions by Francesco Bonami, Edi Muka, et Massimiliano Gioni. Jane Farver (dir.), Adel Abdessemed, Situation and Practice, MIT Press, 2009. Contributions by Jane Farver, Tom McDonough, and Noam Chomsky. Larys Frogier, Adel Abdessemed, Zürich, Switzerland, JRP Ringier, 2010 (ISBN 978-3-03764-109-5) Ziba Ardalan (dir.), Silent Warriors, Parasol Unit/König, London/Cologne, 2010. Contributions by Ziba Ardalan, Gilanne Tawadros and Guy Tortosa. Frédérique Goerig-Hergott (dir.), Décor, Éditions Xavier Barral, Paris, 2012. Contributions by François Pinault, Jean-Jacques Aillagon, Frédérique Goerig-Hergott, Eric de Chassey, and Giovanni Careri Philippe-Alain Michaud (dir.), Adel Abdessemed Je suis innocent, Steidl/Centre Pompidou, 2012. Contributions by Philippe-Alain Michaud, Emmanuel Alloa, Hou Hanru, Pamela M. Lee, Tom McDonough, et Patricia Falguières Pier Luigi Tazzi (dir.), L'âge d'or, Mathaf/Silvana, Doha/Milan, 2013 : book designed by M/M (Paris). Contributions by Abdellah Karroum, Pier Luigi Tazzi, Angela Mengoni, Abdellah Taïa, and an interview with Hans Ulrich Obrist Collaborations Hélène Cixous, Les Sans Arche d’Adel Abdessemed, Art et Artistes Galimard, Paris, 2018 Adel Abdessemed et Véronique Yersin, Charbon, édition Macula, Paris, 2017 Hélène Cixous, Correspondance avec le mur, Galilée, Paris, 2017 Adel Abdessemed et Adonis, La Peau du chaos. Correspondance, Actes Sud, Paris, 2015 Hélène Cixous, Corollaires d’un vœu, Abstracts et Brèves Chroniques du temps, Galilée, Paris, 2015 Adel Abdessemed et Hélène Cixous, Insurrection de la poussière, Galilée, Paris, 2013 Hélène Cixous, Ayaï. Le cri de la littérature. Accompagné d'Adel Abdessemed, Galilée, Paris, 2013 Adel Abdessemed et Adonis, Le Livre des AA, Yvon Lambert, Paris, 2014

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