2018 drawing with graphite on PVC, oxidation on iron and offset ink on lithographic stone.
The installation uses two places in Brazil as reference: Itabirito peak and the Serra do Navio community, where the glory and fall of our mining policy left behind huge traces of depletion and destruction. Lithographic stones and oxidized iron plates complete the invisible structural lines and make a conversation with the architectonic tradition, from the pyramids to the neo concrete movement in Brazilian Art.
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