2018 stainless steel, titanium, industrial car paint
50 x 75 x 5 cm
Francisco Fino’s presentation at Art Brussels is designed to unfold from an empty core. Through a living ecosystem of works in the space, Karlos Gil has designed a fragmented stage from which to imagine a new relational model between man and machine. In this way, the artist blurs the line between the organic and the artificial, to reflect upon the production of knowledge and processes of contemporary sculpture,
its hybridization with new technology, and natural and industrial manufacturing procedures.
¿Te gustaría añadir o modificar algo de esta obra?
Infórmanos si has visto algún error
en este contenido o eres este artista y quieres actualizarla. ARTEINFORMADO te agradece tu aportación a la comunidad del arte.
