Intitulada TIMEFALLS, a exposição debruça-se sobre o conceito de “Reinvenção da Tradição”, uma noção pluridisciplinar que, com vários formatos, tem sido aplicada em análises culturais. A exposição reflete sobre a forma como a História da Arte e a interpretação contemporânea dos seus temas, revelam aspetos políticos, sociais e económicos, que estão manifestas nos trabalhos apresentados. Com três artistas Latino Americanos e dois Europeus, a exposição centra a aproximação ao tema na relação entre Europa e América Latina, quer nas dependências históricas e sociais quer na herança cultural. Na relação com a História da Arte, a noção da reinvenção da tradição pode descrever processos de transformação que ocorreram durante a criação artística, na qual o artista transporta a sua realidade cultural para o contexto da realidade da exposição. Desta forma emergem temáticas dos cruzamentos culturais que muitas vezes revelam questões históricas conflituosas ou não resolvidas, não só no que respeita à...relação colonial entre os dois continentes, mas também relações contemporâneas que evidenciam a reciproca dependência económica e ideológica.
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'Everything passes in time but time itself!' proclaims on a quite somber tone Eduardo Cadava in his book 'Lapsus Imaginis: The Image in Ruins'. For him, the present is not simply the present, but a result of the multitude of images that form it "now" and that might come from alien spaces and historical moments. Any image is for him always the image of another time. The image is bearing several memories at once. For him the image is therefor never closed.
This exhibition is dedicated to the recurrent necessity of contemporary artists to re-load the past, future and present into ‘the image’ and therefore to re-cast 'traditions'. We can think in this context also about the concept of the “Reinvention of Tradition” - a pluri-valent notion which has been invested with various content in cultural analysis.
Many of the work included in this show, deal with various forms in which traditions have been actually recreated. They also imply the political background of such appropriations. These invented traditions are often involved for legitimising certain institutions or cultural practices. In many of the works exhibited in this show we find allusions to the art of the Modernism and that of the Renaissance, but these are never innocent forms, as they carry with them cultural wars, the heritage of colonialism, or present economic relations of power – especially in regard to Latin American and European connections.
The exhibition travels between forms which show how the history of art has been reinvented, to others that show how historical themes transport socio-economic and political aspects. These run like deeper currents through the works presented here and reveal often conflictual, un-resolved historic themes.
We can find allusions to cultural forms since the end of the 19th century, the Latin American modernism and its reception in Europe, but also to today's large scale biennials' scaffolding of information, to architectural complexes and fairs.
Marta Jecu
Entrada actualizada el el 07 ene de 2017
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![Alessio delli Castelli, untitled, 2012, collage on paperl, 22 x 25 cm [Copyright Alessio delli Castelli,courtesy Dan Gunn, Berlin]](https://static.arteinformado.com/resources/app/docs/evento/46/131446/2.jpg "Alessio delli Castelli, untitled, 2012, collage on paperl, 22 x 25 cm [Copyright Alessio delli Castelli,courtesy Dan Gunn, Berlin]")
