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The motion of an alluvial record

Exposición / Storefront for Art and Architecture / 97 Kenmare Street / Nueva York, New York, Estados Unidos
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Cuándo:
19 sep de 2024 - 07 dic de 2024

Inauguración:
18 sep de 2024 / 18 a 20 h.

Comisariada por:
José Esparza Chong Cuy

Organizada por:
Storefront for Art and Architecture

Artistas participantes:
Gala Porras-Kim

ENLACES OFICIALES
Web 
Etiquetas
Cerámica  Cerámica en New York  Instalación  Instalación en New York 

       


Descripción de la Exposición

The motion of an alluvial record is an atmospheric installation by artist Gala Porras-Kim that explores the complex relationships between cultural institutions, the objects they preserve, and the environments from which these objects originate. Central to this exhibition is a mud work composed of clay sourced from the wetlands of the Yucatán Peninsula. This material, layered with centuries of sediment, serves as a living archive—a tangible record of both geological and human histories. When submerged in water, the clay's particles, each from a range of eras, defy linear chronology and form a tableau that captures a holistic and cyclical view of time, thus echoing the Maya understanding of the fluidity of time. Considering Storefront’s unique condition as an exhibition space that is notoriously not climate controlled, Porras-Kim reimagines the gallery space as a hothouse, meticulously regulated to replicate the moisture and temperature conditions of the Yucatán wetlands. This transformation challenges the standard practices of art conservation, which typically call for dry, conditioned environments that strip works of their original context. By maintaining the mud in a perpetually moist state, Porras-Kim highlights the importance of preserving materials in a condition that mimics their original site, resisting the sterilization that often occurs within institutional walls. The exhibition also reflects on the role of institutions in shaping our understanding of objects and histories. By enclosing the mud work in a humid environment, the room itself becomes part of the artwork, embodying the tension between natural processes of decay and the preservationist impulses of cultural institutions. This dialogue between the natural and the institutional underscores the ways in which art and architecture can adapt to accommodate works that are deeply connected to their environmental origins. The motion of an alluvial record is the third exhibition in our Swamplands series. Over the course of a year, Swamplands exhibitions and programs offer a platform for reframing our relationship with ecologically rich yet often misunderstood landscapes, while fostering new notions of environmental stewardship and cultural engagement.


Entrada actualizada el el 06 sep de 2024

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