The Heart of the Matter

Exposición / White Box - Whitebox Art Center / 329 Broome Street / Nueva York, New York, Estados Unidos
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Cuándo:
29 abr de 2016 - 29 may de 2016

Inauguración:
29 abr de 2016

Organizada por:
Whitebox Art Center

Artistas participantes:
Carlos Salas Silva

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Etiquetas
Pintura  Pintura en New York 

       

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Descripción de la Exposición

WhiteBox is pleased to announce The Heart of the Matter, a traveling solo exhibition by Carlos Salas. An internationally renowned Colombian abstractionist whose work has been on view at notable museums and art institutions, this show marks the artist’s first New York exhibition at WhiteBox. The stunning, multifaceted project is a compelling synthesis—with variations—of his most recent MOCA Miami show ‘Latin America and the Global Imagination’. Inspired by Carl Jung’s concepts of the collective unconscious and Joseph Campbell’s work in comparative mythology, Salas’s work investigates the potential of pure, unbounded imagination in the artistic process. Salas has been engaged in a wide range of activities and initiatives in art-making and discoursing: painting, sculpting, installation, film and writing to tackle head-on the state of the human condition vis- à-vis art. His work is a site for exploration of the boundaries in which human subjectivity is located, where Salas poses questions that reveal the limits of particular theoretical frameworks, while calling for a critical current engagement across traditions and cultures. A manifold of diverse trajectories and experiences of contemporary issues comprise his expansive oeuvre, constantly scrutinizing all possible intersections explored from unexpected angles, proposing new examinations and counter narratives. By constantly questioning the very basis of what constitutes abstraction while testing the limits of our personal understanding, Salas is responsible for essential advancements in furthering and decoding abstraction today. Salas’s blazing spirit is evident in his elaborate brush strokes that resemble scratches and scars that—while open to interpretation and analysis, eg, the Colombian environment at large—cannot hide the artist’s intensity, existential passion, and aesthetic genius. As a practical tool of communicating the viewer Salas’s origins in his abstract painting, the exhibition includes an interactive set of scattered video screens adroitly interspersed among his large abstract paintings. The film, dexterously and intimately directed by Ana Salas, the artist’s daughter, feeds visual fragments embodying the process, routine, and environment of the making of ‘Into the Abyss’, the centerpiece painting in the exhibition. Carlos Salas was born in 1957 in Pitalito in the south of Colombia. He studied architecture in the Universidad de los Andes in Bogota and later studied painting at the École des Beaux-Arts in Paris. He has received multiple accolades in France and his native Colombia for his contributions to abstract art, and at the age of 42 he was the youngest artist to ever present a retrospective at the Bogota Museum of Modern Art. Carlos Salas has been involved in promoting and diffusing art in alternative spaces, including Gaula (1991), Espacio Vacío (1996), and Mundo (2001-2011). For ten years, he was engaged in Mundo gallery and the production of Mundo magazine, releasing 40 publications.

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