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Picasso and Maya: Father and Daughter

Exposición / Gagosian Gallery - Paris / 4 rue de Ponthieu / Paris, Ile-de-France, Francia
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Cuándo:
19 oct de 2017 - 24 feb de 2018

Inauguración:
19 oct de 2017

Comisariada por:
Diana Widmaier Picasso

Organizada por:
Gagosian Gallery

Artistas participantes:
Pablo Picasso

ENLACES OFICIALES
Web 
Etiquetas
Dibujo  Dibujo en Ile-de-France  Pintura  Pintura en Ile-de-France 

       


Descripción de la Exposición

This exhibition presents major works from the 1930s to the 1950s, including a collection of intimate portraits of Maya and Marie-Thérèse, sculptures and little paper cuts-out fashioned especially for his daughter. Like many of his favorite portraits of family members, most of the pieces remained in Picasso's personal collection until his death in 1973. Alongside the artist’s works, a selection of archival material—unpublished photographs, films, letters, and poems—will explore the relationship between father and daughter, while providing an invaluable testimony of this new-found happiness. This collection of works and archival documents retraces the childhood and youth of Maya, spanning her birth to her coming of age. In the first months after Maya was born, Picasso captured moments of intimacy between a young mother and her daughter (Marie-Thérèse allaitant Maya, 1935; Maya à dix mois avec Marie-Thérèse, 1936), secretly living in an apartment rented for them by Picasso at 44 rue de La Boétie, only steps away from his own at number 23. Numerous drawings of Maya, lovingly composed, present realistic portraits in a classic style, similar to those of Marie-Thérèse realized by the artist during this time (Maya à l’âge de trois mois, 1935). His paintings of Maya stray from this academic style, reflecting rather a complex artistic analysis by the artist culminating in a Cubism that can only be qualified as "psychological". In a vibrant series of portraits realized in 1938, Picasso reveals the energy and curiosity that animated his young daughter. We see Maya embracing her doll against her cheek (Maya à la poupée et au cheval, 1938) in a posture that recalls the Virgin and Child, or in the midst of playing with a boat (Maya au tablier rouge, 1938; La fille de l'artiste à deux ans et demi avec un bateau (Maya), 1938). At the beginning of the 1950s, Maya’s doll-faced visage transformed into the delicate profile of a young woman in a series of pencil drawings (Maya, profil gauche, 1951).


Entrada actualizada el el 20 dic de 2017

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