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Oscar Murillo: the build-up of content and information

Exposición / David Zwirner - Hong Kong / 5-6/F, H Queen's, 80 Queen's Road Central Hong Kong / Hong Kong, Hong Kong
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Cuándo:
19 sep de 2018 - 03 nov de 2018

Inauguración:
19 sep de 2018 / 18:00

Organizada por:
David Zwirner

Artistas participantes:
Óscar Murillo

ENLACES OFICIALES
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Etiquetas
Arte contemporáneo  Arte contemporáneo en Hong Kong  Arte latinoamericano  Arte latinoamericano en Hong Kong  Papel  Papel en Hong Kong  Pintura  Pintura en Hong Kong 

       


Descripción de la Exposición

David Zwirner will present an exhibition of paintings and works on paper by Oscar Murillo, marking the artist’s first solo presentation in Asia. Born in Colombia and based in various locations, Murillo is known for an inventive and itinerant practice that encompasses paintings, works on paper, sculptures, installations, actions, live events, collaborative projects, and videos. Taken as a whole, his body of work demonstrates a sustained emphasis on the notion of cultural exchange and the multiple ways in which ideas, languages, and even everyday items are displaced, circulated, and increasingly intermingled. Through his command of gesture, form, and spatial organization, Murillo is able to convey a complex and nuanced understanding of the specific conditions of globalization and its attendant state of flux, while nevertheless maintaining the universality of human experience within this milieu. In recent years, Murillo has traveled extensively throughout the world to research and prepare exhibitions and other projects, making works both in the studio and in unexpected locations. As a result, airplanes, which are able to move more or less freely and without regard to borders, and the contemplative isolation afforded by these long journeys, have become an important site of production for the artist. As Murillo explains: "Constant transnational movement has become an integral facet of my practice. Flight becomes not just a means of travel but a sacred ‘other’ space, the aeroplane seat itself becoming a unique ‘studio’ at a remove, a non-place which is both physically confined and freed from being in any real geographical location. Within this space, during the proscribed periods of time each journey affords, I engage in notation, mark making, recording, layering gestural marks onto surfaces: sketchbooks, Japanese paper, printouts from Google Maps, landing cards. This practice becomes a process of experimentation, of accumulation, and, in a sense, of research."


Entrada actualizada el el 12 feb de 2019

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