In her second exhibition in São Paulo, Mariana Mauricio works mainly with the re-signification of imagistic memories through the interference in collected photographs. About a year ago, in addition to photographs, the artist began collecting objects that she found on her daily routes through the city. During this process of hoarding, she tries to make theoretical connections, seeking similarities between these items. The idea is that the photos start to have a sculptural quality expressed through these objects. Using strategies of appropriation and modification of the memory of the photographs, the artist questions who used these anonymous objects, while wondering what was the original function and memory of the object itself. The artist will present a new body of work, composed of photographic installations and assemblages.