Descripción de la Exposición
First presented to the public in the cities of Curitiba and Recife in 2014, the large-scale installation that forms “Incisão” (Incision) offers a meaningful reflection on the politics of displacement and cultural dispossession faced by indigenous peoples today.
The body of work presented in this exhibition resulted from a short residency in Curitiba, which extended to the indigenous community of Araçaí, in March 2014. Located a mere 50 km from the cosmopolitan city of Curitiba, the latter’s cluster of ramshackle wooden huts is home to a community of 90 Guarani people who were forced off their ancestral lands in 2000 by a government relocation programme.
Exploring the contrast between the community’s near-isolation and impoverished living conditions and the city’s bountiful modernity while reflecting on the devastating clash between unbridled contemporary development and traditional ways of life, the installation forms a symbolic new town comprising 54 wooden doors carved in bas-relief with the images of various faces and indigenous motifs, including 18 portraits that represent inhabitants of Araçaí. Four of these pieces were created by a group of artisans from the community, forming a direct collaboration between Vhils and the Guarani people that blended new and ancient carving techniques.
Actualidad, 31 ene de 2019
#loquehayquever en Brasil: los museos reivindican el arte nacional
Por Paula Alonso Poza
El MAM SP y la Fundação Ibere Camargo acogen sendas producciones colectivas de arte brasileño. Por su parte, IMS, MASP e Instituto Tomie Ohtake, entre otros, presentan retrospectivas de aclamados artistas nacionales.
Exposición. 17 dic de 2024 - 16 mar de 2025 / Museo Picasso Málaga / Málaga, España
Formación. 01 oct de 2024 - 04 abr de 2025 / PHotoEspaña / Madrid, España