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From Surface to Space. Max Bill and Concrete Sculpture in Buenos Aires

Exposición / Institute for Studies on Latin American Art (ISLAA) [ESPACIO TRASLADADO] / 50 E 78th St. / Nueva York, New York, Estados Unidos
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Cuándo:
19 ago de 2021 - 30 oct de 2021

Inauguración:
19 ago de 2021

Horario:
Martes de 14 a 17 h., de miércoles a viernes de 14 a 19 h.

Comisariada por:
Francesca Ferrari

Organizada por:
Institute for Studies on Latin American Art (ISLAA)

Artistas participantes:
Carmelo Heriberto Alves Oyarzum - Carmelo Arden Quin, Claudio Girola, Enio Iommi, Fernando Fallik - Gyula Kosice, Lidia Elena Prati - Lidy Prati, Max Bill

ENLACES OFICIALES
Web 
Etiquetas
Dibujo  Dibujo en New York  Escultura  Escultura en New York 

       


Descripción de la Exposición

The Institute for Studies on Latin American Art (ISLAA) is delighted to announce the opening of “From Surface to Space”: Max Bill and Concrete Sculpture in Buenos Aires, curated by Francesca Ferrari. The first in a new series on Latin American modernism at ISLAA, this exhibition explores concurrent experiments in concrete sculpture amid the formative, transnational creative dialogue between the Swiss artist Max Bill and the Argentine avant-garde from 1946 to 1955. It is conceived as a complementary exhibition to max bill global, curated by Fabienne Eggelhöfer and Myriam Dössinger, at the Zentrum Paul Klee in Bern, Switzerland. “From Surface to Space” brings together sculptures by Carmelo Arden Quin (Uruguayan, 1913–2010), Max Bill (Swiss, 1908–1994), Claudio Girola (Argentine, 1923–1994), Enio Iommi (Argentine, 1926–2013), and Gyula Kosice (Argentine, 1924–2016), as well as a series of drawings by Lidy Prati (Argentine, 1921–2008). As members of the groups Asociación Arte Concreto-Invención (AACI) and Madí, the Buenos Aires–based artists Arden Quin, Girola, Iommi, Kosice, and Prati circulated, revised, and expanded Bill’s notions of concretism in Latin America. This exhibition frames Bill’s relationship to his Argentine peers as one of reciprocal impact, revealing how artists in Argentina reacted to Bill’s theories while Bill reoriented his characterization of concrete art after encountering their work. “From Surface to Space”: Max Bill and Concrete Sculpture in Buenos Aires is accompanied by a publication including an essay by curator Francesca Ferrari. Physical copies are available free of charge at ISLAA and for download online. In conjunction with the exhibition, ISLAA will present a series of live online public programs and pre-recorded lectures that will examine Bill’s broader legacy in Latin America and provide further insight into the featured artists’ work. For more information, please visit the exhibition page. ISLAA is open from 2 to 5 PM on Tuesday and from 2 to 7 PM on Wednesday through Friday. Guests are required to wear masks while on-site. Although walk-ins are allowed, visitors are encouraged to make appointments through ISLAA’s online scheduler prior to their arrival.


Entrada actualizada el el 24 ago de 2021

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